Posts Tagged ‘ production

Fear For…

Here’s the vinyl cover I did for post-rock band Fear For Reason!

FFR withtext-preview

This was the original idea I’d had: FFR01

…but we decided it was too American-ish, and we wanted to aim more for the dim muted jewel tones of the UK! Here’s what I produced instead… and as you can see, we went for the second one ^_^




(Little after the fact, here…) But here’s the cover and some of my fav pages I did for Issue #12 of The Wicked + The Divine, created by Kieron, Jamie & Matt!





Harrrr, trying to jam a fight into that Inanna star-shape was one of the stupidest most challenging things I have attempted so far, lol. If you read it, I hope you enjoyed it. I know it’s hard switching artists in the middle of something you really adore (I do understand!) and especially if some people weren’t expecting it, perhaps it was a bit of a shock! But yeah. I loved working with this team again. Love dem guys!!!!!!! And I’m terrifically excited for the rest of the Guest Arc. How fantastic was that Tara issue, eh?

Pre-order finished!

Pre-order period is over! A huge thank you to those who supported he comic through this period! ^_^ I have a lot of books to send out and I’m hoping to get the vast majority of them sent this week. Please let me know if you do not receive your book[s], or if you have any other questions.

If you missed the Pre-order period, don’t worry! I’ll be at True Believers festival this coming weekend in Cheltenam (website), and I’m hoping to be at Thought Bubble in Leeds this year too (website). Or, you can order online here. Thanks! x

The Unicorn and the Woodsman

SURPRISE I have a new comic!!! :D It’s about a unicorn and the day they meet a woodsman in the woods. And it rhymes. And I don’t know what else I can give you if you’re not into that kind of thing tbh. Here’s some pages!






*PRE-ORDER SPECIAL* £4 ($6.20) until January 31st, after which the price will rise. Please note shipping is not included in this price, and will vary depending on your location.

Due to EU VAT regulations, I am unlikely to be able to offer digital versions of this comic, for which I am sorry! I’d planned to, but then we had the #VATMESS, so. If you’re overseas, this Pre-order period is the best (cheapest!) chance for you to purchase, as I have no overseas events scheduled currently.



I am currently accepting Paypal, but if you would prefer to pay via a different method, please contact me:

If you are looking to bulk-order (i.e. you’re a shop! Or just really really keen!) please contact me: and we can work out some details.

Princes in the Tower – animation for the Tower of London

(This was written ages ago before my shoulder went pop! Also! Sorry to be unprofessional for a brief moment, but… TL;DR version: if you even vaguely know me, you’ll know that when we got the email for this project, I literally shit all my bones and wondered if I had, in fact, died and gone to heaven.)

At the end of 2012, me, Paul and Emma were contacted by the Tower of London to make an animated short based around Edward V and Richard of York, aka. The Princes in the Tower. It was to be screened in the Bloody Tower, where they have the current display focusing around these two: possibly the Tower’s most notorious prisoners guests prisoners short-stay holiday makers prisoners young people, as part of a drive to increase the modernity of the Tower itself. We needed little introduction to this particular piece of history (*COUGHCOUGHCOUGH*) and met up with Tower staff to discuss the outcome and what they hoped to achieve, and what we could realistically produce. I’d like to take a second here and speak about how freakin’ awesome the Tower staff are. (They are super rad and we feel really lucky to have worked with them!)

For those who are not aware of the figures, here’s some info:

Edward V of England
Richard of York
Richard of Gloucester/Richard III of England
Edward IV of England
Elizabeth Woodville (I went briefly to Elizabeth Woodville Primary School in Leicester!)

Our initial idea involving life-sized, animated shadow-play had proved to be impossible due to the physical restrictions of the Bloody Tower, but we took with us the idea of using strong contrast for the final look of the piece. We also hoped that the use of stark red, black and white would avoid the piece looking very dated/aging too quickly, and also allow the animation to be as clear as possible over the texture of the interior of the Tower’s walls (textured like… well, a medieval wall), and the lighting situation (also medieval). We were not really able to use chunks of text or lots of dialogue as so many visitors to the Tower would not have English as their first language, so, it was up to us to try and make something engaging and informative and atmospheric just through pictures, focusing on the more modern aspect that the Tower is working through, making it creepy, keeping it ambiguous due to historical black holes, and so on, and so forth. It was a challenge, for sure, to make this all under 2 minutes. With that in mind, I wanted to try and aim for a sooooort of music video type thing, and took a lot of inspiration from anime openings/endings. We were also really happy that Ewan Parry was able to work with us on the Sound Design for the piece — we’ve worked with Ewan a few times before for various projects, and we’re good friends, and it’s always nice to work with friends!!!

So, obviously, Paul’s done a fair amount of animation before and is really good at it, whereas I have completely not done any and tried to learn as we went under his watchful eye! ^^; I wrote the story out and bashed out a few rough storyboards, and once everyone was happy with the idea, we moved onto making further rough storyboards, and basically just diving straight into developing the thing. Paul handled the 3D and the compositing, and helped out on the 2D. He used 3D StudioMax and AfterEffects, and I did the 2D in Photoshop.

Here’s the initial design Paul made early on as a basis for our style, when we were compiling our pitch for the Tower:

And here are some more designs I made when I started storyboarding:

It was quite refreshing to literally not have the scope to labour over any aspect of the drawings. I had to learn quickly that in order to achieve anything at all, you gotta just GO GO GO DO NOT STOP DO NOT COLLECT £200 KEEP GOING WHAT ARE YOU DOING DRAWING FINGERNAILS STOP THAT KEEP DRAWING. Despite that, the designs for the boys’ hair was too complex really, and the line-thickness issue continued being a bit of an issue, lol. Well, I learned!

Here’s some storyboards-to-final-frames examples:

Here’s the animatic:

One of the important things we built into the piece was the space and potential to expand a few scenes. The animation itself was quite experimental in terms of its actual use for the Tower, and we want to wait for visitor feedback before thinking of expanding it. I’m really hoping we can! I would love to expand on the bit where the boys are playing, maybe add detail to Richard of Gloucester’s short scene, add dialogue perhaps, add bits to the ending… just add detail to make it feel even more lively, really. We’re hoping it gets good feedback! If you’re around in London during the summer, you should totally pop along to the Tower and check it out! Thanks so much everyone who’s asked about how we’re going with this, and giving encouragement, especially when we weren’t able to say what it actually was we were working on. It meant a lot to us… I really hope anyone who gets the chance to see it, really likes it *^_^*

…and as that’s a bit of a tall order for some people, very kindly, HRP have let us show it on YouTube! Please watch it and enjoy it (and pretend it’s massive and in a medieval Tower)!

Here’s where I need to mention we made a lot of artistic liberties, but we felt we had strong reasons for the majority of these! We are very aware that Richard of York didn’t join Edward until like a month(?) later, after he’d gone to the Tower, but chose to skip over this bit due to a worry of confusing and over-lengthening the plot, and we wanted to focus specifically on the two boys, so that to us, at the time, meant introducing them in the same scene. We skipped over Earl Rivers and Grey’s executions for the same reasons. Apologies for these points. To be frank, there’s such little information about the boys’ stay in the Tower, and it’s often hard to discern what was contemporary source material and what was propaganda.

As a closing note, we had a total blast making this. The Princes in the Tower is one of my personal favourite history subjects/mysteries, and to get to do this was… well, what I wrote in the first paragraph, haha. I think when people get involved in historical fiction it’s easy to get really close to the figures, even if it’s just a tiny thing like making a single illustration, or doing a quick sketch… it brings them to life again suddenly, and brings them through the ages briefly, to exist along with everyone again. I do feel pretty close to these kids by now; it seems like every other year I get to work with them! ^_^ It does make me really sad that we’ll likely never know what happened to the two boys. The speculation about what occurred is fun and all, but at the same time, these were two young children who went missing, almost certainly for political reasons, and that’s really uncomfortable to think about. I do not believe the bones in the Westminster Urn belong to them. I wish we knew more. Every time I draw them or get into a project with them, I worry that I might be cheapening some aspect of their lives and role in history… I hope I’m not.

Lady Jessica/Dune – process

Click through for some process shots! I went through a lot of composition tweaking and colour tests, but those are probably pretty boring to look at ^^;

And click through for a close-up of her freckles! Making that Freckle Brush for Jim of The Lost Boy was like, a really time-saving idea! :D

Events & the tiniest preview!

Hi! Just as a quick update, I’ll be attending NICE along with mah bud Emma Vieceli! We will both have books for purchase and will most likely be sketching, too. It’s looking to be a really nice (sorry, sorry) event, so do come along and give a new show some support, and say hello to us!

Secondly, I got time to spend on something I’m really excited about! I’ve (literally) just finished a 4-pager for The Phoenix, which was written and devised by Neill Cameron. Neill is totally one of my favourite UK creators, and I was so pumped to get to work on something by him. I had *so* much fun making this comic, I can’t even begin to say! I really hope you guys will pick it up — you can get single issues of The Phoenix for just £2.99, delivered straight to your door (just to clear that up, because people always ask). I put up a little tiny snippet (like, really tiny — that section is about two inches high IRL) of it on my grainy Instagram the other day: I’m not sure which issue it will go out in yet, but I’ll let you know. I’ll be doing the cover, too!

Take care! ^_^/

Bye-bye Jim and Bob.

The (blank) cover I did for Issue 31 of The Phoenix, and a photo of the finished, printed issue! I liked how Laurence (the designer) made the title look as if it was gently uplit. Not long to go now, for The Lost Boy! It finishes very soon! O_O; I finished making it last friday. So… I’m off to work on more projects! I’ll update here when I have solid projecty-based news.

Golden Fables

Here are the images I made for the Golden Fables performance, which was part of the cultural Olympiad for Lincolnshire. They ended up being used as backdrops in a performance which included poetry, choir music and short acted scenes. It was performed at the SO Festival, and at Latitude. Only some of them ended up being used, and I can’t remember right now which they were ^^; But here’s all ten, anyway.

The brief was quite non-specific, but was to try and involve a response, via a series of images, to the concept of “Rural England,” and how traditional values have either benefitted or excluded citizens. I used the black dog, its identity varying through each image, as a base-point for representing these ideas. Some of them are a bit unusual ^^; If you have any questions as to why I did what, do ask! I’m pretty good at explaining them now, haha.


Issue 5 of The Phoenix had a cover of The Lost Boy :) Here are the cover[s] without the text on:

This was the initial cover with Jim, Bob and a jungly background…

In the end it was decided it didn’t work, so a new background was made…

…which is the cover you see on the comic :) The sand looks a bit flat, but you don’t see it in the final thing anyhow, so ^^;

Been a bit quiet recently! It’s got a bit busy and has gained the feeling of spinning plates.